TV features – Page 13 3nd4n
- Features
MIPCOM preview: Netflix, Amazon signal new television era 4w5915
As content platforms proliferate, the focus of this year’s MIPCOM market (Oct 17-20) will be the rewards and challenges of The New Television era - one in which Netflix and Amazon’s future domination may no longer be a given.
- Features
Crossing the channel (COMMENT) j6m62
Screen editor Matt Mueller talks MIPCOM and looks ahead to awards season.
- Features
The Night Manager’s 40m views in China highlights growing drama opportunity 6j5r5m
EXCLUSIVE: The “last frontier” for high-end drama is opening up, according to industry experts.
- Features
Jeremy Isaacs talks Channel 4 privatisation, 'The World At War' and director Jack Gold 1j2h4n
Founding chief executive of Channel 4 discusses potential privatisation and career highlights.
- Features
MIPTV: high-end drama, cinema crossover set to dominate 176o3y
The cinema world’s growing love affair with TV will be more evident than ever at this year’s MIPTV.
- Features
MIPTV: drama on the Croisette 4q3u10
Screen’s selection of MIPTV titles to look out for from both broadcasters and streaming players.
- Features
SCREEN SUBSCRIBERS: Singapore’s thriving Asia TV Forum & Market is designed to offer real insights into how to reach Asian TV audiences. Silvia Wong reports
- Features
In focus: screenwriting 552e53
Ahead of the eve of the sixth Bafta and BFI Screenwriters’ Lecture Series (Sept 23-Oct 3), four celebrated screenwriters discuss how the Netflix era has put them back in control.
- Features
Toronto 2015: TV at film festivals 3b6v4m
TV pilots, premieres and catch-ups are becoming must-haves for film festivals. Andreas Wiseman reports on a rapidly expanding trend.
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The data revolution 3g2f64
Data analytics helped Netflix brew up its hit show House Of Cards, but as a useful industry tool it’s still in its infancy. Nikki Baughan explores the potential of data for other broadcasters, exhibitors and studios.
- Features
Creative Week: Channel The Change 3c396e
BBC strategy, TV consolidation and the boom in digital talent were among the hot topics at this year’s Creative Week conference in London. Andreas Wiseman reports.
- Features
Creative Skillset: Invest in the future 40436j
The urgent need to invest in and develop talent sits at the forefront of Creative Skillset’s ambitions for the future growth of the film and TV sectors.
- Features
The Weinstein Company: stirring drama 5x2y2u
As The Weinstein Company ramps up its scripted TV productions and acquisitions, Andreas Wiseman talks to the executives behind the push.
- Features
MIPTV: Transmedia’s transitions 2k3n6q
As the digital-focused MIPTV champions a new age of storytelling this month, Melanie Goodfellow explores how TV drama and film producers are tentatively branching out into other platforms
- Features
AFM 2013: Market forces 2e27f
This year’s American Film Market (Nov 6-13) will take place against a backdrop of US economic instability, but it’s the small screen that is likely to be the hot topic of conversation, as Jeremy Kay reports
- Features
The VoD invasion 4l593r
John Hazelton examines the rising international demand for entertainment libraries thanks to new distribution platforms across VoD and SVoD.
- Features
UK tax relief: Take your partners 125iu
The UK is introducing tax credits for television production, high-end animation and video games this month. Michael Rosser explores how the relief could further strengthen a TV powerhouse
- Features
Case Study: Titanic ov2g
The UK-Canada-Hungary co-production for TV written by Julian Fellowes will be seen in more than 85 countries.
- Features
Fine tuning 5w5n27
Movie acquisitions for US TV channels are steady but the picture will soon get more complex as studio output deals come up for renewal and SVoD players step up.
- Features
Case Study: Parade's End 5i1m5y
Tom Stoppard reteams with Shakespeare In Love producer David Parfitt for the BBC-HBO mini-series Parade’s End, which shot in the UK and Belgium.
