Latest – Page 8 6o606g

  • Dreamin' Wild
    Reviews

    ‘Dreamin’ Wild’: Venice Review 6e5r6r

    2022-09-07T20:00:00Z 424630

    Bill Pohlad follows up Love & Mercy with the dramatised tale of real-life musicians Donnie and Joe Emerson

  • LUXEMBOURG, LUXEMBOURG_dir by Antonio Lukich
    Reviews

    ‘Luxembourg, Luxembourg’: Venice Review 50343s

    2022-09-07T15:00:00Z

    Antonio Lukich’s second feature is a boisterous, bittersweet saga about twin brothers

  • SAINT OMER
    Reviews

    ‘Saint Omer’: Venice Review 23m5u

    2022-09-07T14:45:00Z

    Alice Diop’s fiction debut uses a real-life courtroom drama to challenge media assumptions

  • Freedom on Fire pic by Donbas Frontliner_Andriy Dubchak (16)
    Reviews

    ‘Freedom On Fire: Ukraine’s Fight For Freedom’: Venice Review 4p6o1w

    2022-09-07T12:15:00Z

    Evgeny Afineevsky assembles urgent, immediate footage from the Ukraine front

  • World War III- 7 new
    Reviews

    ‘World War III’: Venice Review 4z1j5q

    2022-09-07T12:10:00Z

    Mohsen Tanabandeh is extraordinary in Houman Seyedi’s darkly comic portrait of the making of a Holocaust film

  • Anhell69
    Reviews

    ‘Anhell69’: Venice Review 3l62m

    2022-09-07T12:00:00Z

    Colombian filmmaker Theo Montoya crafts a dark meditation on a nation, and a generation

  • 'Dead For A Dollar'
    Reviews

    ‘Dead For A Dollar’: Venice Review c4l4c

    2022-09-06T19:45:00Z

    Walter Hill returns with a revisionist Western featuring a sterling performance from Christoph Waltz

  • Il Signore Delle Formiche
    Reviews

    ‘Lord Of The Ants’: Venice Review 1d4v2r

    2022-09-06T17:00:00Z

    Gianna Amelio’s dramatisation of a strange 1960s Italian trial may prove somewhat lost in translation

  • THE ETERNAL DAUGHTER
    Reviews

    ‘The Eternal Daughter’: Venice Review 532m10

    2022-09-06T14:45:00Z

    Joanna Hogg and Tilda Swinton reteam for another resonant, personal work

  • THE_MAIDEN
    Reviews

    ‘The Maiden’: Venice Review 2i636j

    2022-09-06T14:30:00Z

    Canadian Graham Foy’s debut is an ambitious portrait of teenage life

  • On The Fringe 1
    Reviews

    ‘On The Fringe’: Venice Review 3w6n3p

    2022-09-06T14:30:00Z

    Lives on the edge in this Spanish social-realist drama starring Penelope Cruz and Luis Tosar

  • Music For Black Pigeons
    Reviews

    ‘Music For Black Pigeons’: Venice Review 5d312

    2022-09-06T12:30:00Z

    Niche jazz doc from Denmark

  • 'Skin Deep'
    Reviews

    ‘Skin Deep’: Venice Review 4h1i3f

    2022-09-06T12:00:00Z

    Alex Schaad’s witty, body-switching debut explores identity, gender fluidity and sexuality

  • DOGBORN
    Reviews

    ‘Dogborn’: Venice Review 4l72n

    2022-09-06T11:45:00Z

    Isabella Carbonell’s debut feature is a tightly focused drama about homelessness and sex trafficking

  • Innocence
    Reviews

    ‘Innocence’: Venice Review 4l3t6w

    2022-09-06T08:55:00Z

    Guy Davidi examines Israel’s compulsory military service in this thought-provoking documentary

  • AMANDA JPG
    Reviews

    ‘Amanda’: Venice Review 1g4e6e

    2022-09-05T20:00:00Z

    First-timer Carolina Cavalli presents a distinctive portrait of a ‘friendless weirdo’ living in Turin

  • LOVE LIFE
    Reviews

    ‘Love Life’: Venice Review 2vi48

    2022-09-05T19:45:00Z

    Family tensions are exacerbated by tragedy in Koji Fukada’s emotional melodrama

  • EISMAYER
    Reviews

    ‘Eismayer’: Venice Review 3s663d

    2022-09-05T18:30:00Z

    Gerhard Liebmann gives a full-throttle performance in this true-life drama about a closeted military man

  • DON'T WORRY DARLING - Harry Styles and Florence Pugh (Credits Warner Media)
    Reviews

    ‘Don’t Worry Darling’: Venice Review 4o3d13

    2022-09-05T17:10:00Z

    Director Olivia Wilde lampoons American conformity in a sophomore feature that’s more style over substance

  • THE BANSHEES OF INISHERIN
    Reviews

    ‘The Banshees Of Inisherin’: Venice Review 6cd5c

    2022-09-05T14:45:00Z

    Colin Farrell and Brendan Gleeson attempt to settle scores in Martin McDonagh’s darkly comic 1920s-set Irish drama